安妮·比萨比亚
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Damon Lee
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查莉·琼斯是一位坐拥白金唱片的当红说唱天后,向来以狂傲不羁的公众形象示人。然而,一场牢狱之灾却将她瞬间推向了人生的最低谷。就在她跌落尘埃、被法庭判处强制社区服务时,命运却让她在迷茫中撞进了欧文斯牧师的世界,一幕关于救赎、信仰与真爱的乐章悄然奏响……
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克里斯托弗·诺兰
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当记忆支离破碎后,你该怎样面对生活?本片的主人公就遭遇了这样的事情。莱纳·谢尔比(盖·皮尔斯 饰)在家遭到歹徒的袭击,妻子被残忍的奸杀,自己脑部也受到严重的伤害。醒来后,他发现自己患了罕见的“短期记忆丧失症”,他只能记住十几分钟前发生的事情,为了让生活继续下去,更为了替惨死的妻子报仇,他凭借纹身、纸条、宝丽来快照等零碎的小东西,保存记忆,收集线索,展开了艰难的调查。调查中,莱纳遇上粗俗的酒吧女招待娜塔莉娅(凯瑞-安·莫斯 饰),她似乎知道一些莱昂纳多感兴趣的事;还有泰迪(乔·潘托利亚诺 饰),自称是他以前好朋友,但看上去鬼鬼祟祟的,不怀好意。到底谁能相信?娜塔莉娅?泰迪?还是他自己?抽丝剥茧之后,真相呼之欲出,简单之至却又残酷无比,而莱纳是否有面对这一切的勇气?
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亚历山德拉·布罗茨基,埃什雷夫·雷布罗克
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Niall(杰米·贝尔 饰)和Ruben(理查德·加德 饰)是兄弟。虽然两人没有血缘关系,却亲如手足。一人性情刚烈而忠诚,另一人温顺谦和。他们自幼形影不离,因死亡与命运走进彼此的生活,成为了对方唯一的依靠......然而三十年后,当Ruben出现在Niall的婚礼上,一切都变得不同了。他焦躁不安, 神色飘忽,举止反常。随后,一场暴力事件的爆发,将引领观众一览他们的过去,从1980年代直至当下。《半个男人》记录了这些破碎男人三十年的人生轨迹,探索了兄弟情谊、暴力冲突以及男性关系中强烈的脆弱。毕竟,当一切分崩离析时,最亲密的关系往往最容易支离破碎。
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丽莎·查罗登科
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影片参加了2010年的圣丹斯电影节,发行版权以480万美元的价格被焦点影业买走,成为了那届圣丹斯上最值钱的电影。 妮可(安妮特·贝宁 Annette Bening 饰)和朱尔斯(朱丽安·摩尔Julianne Moore 饰)是一对相伴很久的同性伴侣。并有2个孩子:马上要18岁的乔妮(米娅·华希科沃斯卡 Mia Wasikowska 饰)和15岁的莱塞(乔什·哈切森 Josh Hutcherson 饰)。妮可的医生职业很有压力常常忽视了朱尔斯日子还算太平的过着,直到有一天,莱塞向姐姐建议,他想和那个捐出自己精子的男人见一面。因为姐姐已经到了18岁,她有权利向家里提出这个要求。妮可和和朱尔斯同意了姐弟俩的愿望,他们见到了在生物学上的父亲保罗(马克·鲁弗洛 Mark Ruffalo 饰)。可是见面之后会发生什么呢?这个平静而美满的家庭会因此出现裂缝么?
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伊凡·兹夫科维奇,Rachael New
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As Eliza and Blake’s once-fraught relationship begins to evolve, they find that working together may be a tricky prospect. Meanwhile, newlyweds Ivy and Potts adjust to married life, a new detective settles in at Scotland Yard, and Nash causes chaos, even from across the globe. Joining this season’s adventures in his greatly anticipated return is Moses Valentine, who swoops in t...
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安妮·艾蒙德
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This is about Adam (45) owns a kennel. He is a profoundly good and generous, almost naive, man who struggles with depression and eco-anxiety. Via the technical support number for a light therapy lamp he recently purchased, he meets Tina (45), a settled, incredibly sweet mother from northern Ontario. They talk for many hours on the phone. When they meet, everything is turned ups...
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























